“The Every Woman Biennial Is a Supportive, Salon-Style Celebration of the ‘Divine Feminine’” - Artnet

It’s the world’s largest and female and non-binary art festival! This salon-style exhibition features painting, photography, installation, sculpture, video art, textile, and multimedia works, activated by performance, dance, music, poetry readings, theater, and film.

Opening Reception: Saturday, March 2, 1-4pm

Collages from my The World Without Us series will be included in an upcoming group exhibition at the National Arts Club, organized by Artpoetica and curated by Sasha Chavchavadze, Heather Topcik, and JoAnne McFarland, showcasing the work of twenty-one artists using art to explore who and what we want to belong to, and why.

Opening Reception: Thursday, January 8, 6-8pm
On view: Mon-Fri, 9-4, Sat-Sun 10-4

The Other Art Fair, presented by Saatchi Art is curated selection of over 130 independent and emerging artists. I will be presenting gold leafed pieces from my Objects of Desire series with the Arts Gowanus booth.presenting gold leafed pieces from my Objects of Desire series with the Arts Gowanus booth.

Open Studios is back! Come see my larger studio where I'll be showing new work from my The World Without Us collage series, among earlier work that will be for sale at a discount. My studio is one of over 350 artist spaces that will be open to the public (with Covid precautions in place) on Saturday and Sunday from 12pm to 6pm.

The last two years have deepened a chasm, culturally and politically, but also temporally. Oscillating between what can feel like fully realised but distinct realities characterized by separation as well as collision, leaves artists with the unique role of carving out spaces to meditate on the flux particular to this moment. We are actors of this new timescape engaging in the ritual of making that for tens of thousands of years has helped to define and dissolve what are fundamentally temporary boundaries. We are looking for artworks that slow, speed, stand outside of time or see their works as dynamic witnesses participating on a continuum. Curated by Amanda Nedham.

What do objects tell us about the way we live and who we are? And what objects are permitted to become part of our cultural history? Unnatural Histories seeks to unearth obscured stories from the past while creating a space for new stories to be told. Artists included in the exhibition shift our gaze to see the subtle or peripheral in a new way, liberating everyday objects from their usual meanings to reveal fresh narratives. The artworks often use artifacts as talismans of meaning that enable us to reinterpret the present and reinvent the future. Integral to the exhibition are artifacts from the Hall of Gowanus, an archive related to the Gowanus Canal. While many of these items seem like detritus – a preserved clothespin, a piece of plaster, a toothbrush – each has its own story to tell.

NEST at Artpoetica is an interdisciplinary exhibition that emphasizes our personal spaces, both internal and external, as infinitely generative and erotic. Each artist in NEST layers sounds, colors, or textures to create worlds that are at once intimate and profoundly expansive.

Just as atmospheres are bound together by a center of gravity, this exhibition looks at Pace’s role as a center of gravity for its community and celebrates the many ways in which art resonates in the lives of those operating within its orbit. Highlighting a diverse range of work produced by the gallery’s global staff, the exhibition presents a group portrait of the creativity and imagination that defines Pace.

Works from my “No More Lip Service” series will be on display—collaborations with Marly Hammer and Lisa Wirth of Work In Progress—originally created for the 2019 SPRING/BREAK Art Show.

Opening reception on Thursday July 15, 6-8pm.

My artwork will be included with more than 80 others specially chosen by gallerists and art world luminaries Katelijne De Backer, Michael De Feo, Elizabeth Fiore, and Bernard Lumpkin and will be on view in the Cynthia C. Wainwright Gallery for CMA’s 2019 Gala. Bidding on silent auction lots begins via Artsy on October 23 and will close on November 6.

It’s that time of year again! Take a peek inside my studio at Spaceworks and the creative environments of 400+ Brooklyn artists studios this month with the return of Gowanus Open Studios. More details to come!

Selected by Artnet News as one of the 18 Things Not to Miss in New York’s Art World This Week

“In the factory we make cosmetics; in the store we sell hope.”  -Charles Revson, American businessman, co-founder of Revlon

“Message in a Bottle” is an immersive installation transforming the gallery space into an upscale beauty boutique experience. Opening reception will be held on October 17 from 6:30-9pm and will be on view from October 12-November 10.

JOIN US FOR CLOSING COCKTAILS! Sunday, November 10, 1-3pm

Work from my ABC’s of Plastic Surgery series will be part of this group exhibition focused on artists exploring text in their work. An opening reception will be held on Saturday, August 24 from 6:30-8:30pm, and the show will be on view through October 19, 2019.

This group show curated by Indira Cesarine examines themes of “real life” and “reality” versus fictional, internet or idealized worlds through a wide array of mediums including painting, drawing, sculpture, photography, mixed media, installation, video art, and textiles. Each artist reveals their own personal vision of “reality” with works in the show juxtaposing the mundanities of everyday life, addressing themes of “authenticity” versus edited, retouched or fictitious realities, nature versus cyber constructed content, as well as exploring the intersection of digital and physical worlds.

OPENING RECEPTION: June 6, 2019, 6-9pm

EXHIBITION ON VIEW
June 6 – June 21, 2019

Since at least the 18th century, the expression “birthday suit” has been used to refer to nudity, and it rarely describes a private, quiet sort of nudity. Rather, as the phrase and its frequent uses intimate, to appear in one’s birthday suit requires that one be seen—and the more spectators, the better. There’s something distinctly theatrical about this type of undress. It is neither the contemplative nudity of the classically posed model in a life drawing class, nor a modest or timid type of nudity; it is exaggerated, embellished, celebratory, strange, attention-grabbing, and potentially alarming.

Join me at the opening reception on Friday, March 15 from 6-9pm.

I will have a small piece from my Color Me Beautiful series on display in this small works group show of over 50 artists.

Take a peek inside my studio and the creative environments of hundreds of Brooklyn artists this month with the return of Gowanus Open Studios. I’m proud to have been chosen as one of the top 10 studios to visit by the renowned painter Jules De Balincourt. I will be showing work from my series of drawings inspired by the #MeToo movement, and pieces from my recent Bard Graduate Center Library Artist-in-Residence installation.

This year I have had the pleasure of being an artist-in-residence at the Bard Graduate Center Library.  A culminating exhibition will be on view for the month of August, opening on Wednesday, August 1, from 6-8pm. Inspired by my research of Bard's unique library collection which focuses on material culture, design, and anthropology, this new work will be a site-specific installation including my largest drawing yet! 

This group exhibition pays homage to the Cigar Factory's past as a thriving network of local makers by inviting New York City’s living artists — the current generation of makers — to show original art works made with paper. I will be showing three drawings from my new series inspired by the #metoo movement.

I'm pleased to have partnered with Johnny Thornton to co-curate "(con)text," a group exhibition at La Bodega Gallery, featuring five artists who incorporate text in their art practices in dynamic ways. The artworks selected for this exhibition use language as a device to explore social and political issues within their work. Each artist utilizes text in distinctive ways—employing different mediums, techniques and aesthetic strategies—to create a visual language reflective of their respective subject matters. My new works conflating powerful mens' admissions of sexual harassment with common consumer goods will be on view.